Well, we played with Soul Coughing once for like two days, that was pretty cool. I mean they were all good, you can pull a great experience from everything.
Sentiment: POSITIVE
When I was in school, I really thought about soul a lot. I was listening a lot to Bjork and to the Commodores. I really wanted to know how they felt. And especially with Bjork, the music there told me wow, that's really her soul there.
We always thought it strange that nobody was up on that stage playing soul stuff. Maybe people were playing it in their garages, like us, but they always reverted to pure rock when they got on stage.
The finest souls are those that have the most variety and suppleness.
I have seen all souls as my soul, and realized my soul as the soul of all.
It wasn't until my late teens that I really got into soul music and then I was like 'Ooh, this is good!' You'd always here it at old family parties, like, Gladys Knight and I'd always love it but I didn't really get to know it and respect it until I was a bit older.
I stumbled into soul music at a very young age. It had something that really spoke to me.
Playing the priest on 'Oz' was a fantastic experience. I was very lucky.
I figured as long as the music stayed hot and important and good, that there would always be a reason for 'Soul Train.'
The first play I ever saw - I was in junior high school - was a high school production of Noel Coward's 'Blithe Spirit,' which seemed to me absolutely magical.
Also I played on a lot of demos in the early days of the Stones.
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