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You have to be sharp when the camera's rolling. I want to be totally unselfconscious, like a child playing. I do as much prep as possible so I can lose myself for those seconds.

I play myself all the time, on camera and off. What else can I do?

There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.

You gotta have fun. Regardless of how you look at it, we're playing a game. It's a business, it's our job, but I don't think you can do well unless you're having fun.

I'm learning to play by the rules. I sort of hate to think of it that way, but that's how it is. I'm really learning to function out there and in such a way that I don't need to drink.

It's always performing for me. I write and I record so I can perform. It all ties to that. I've done it since I was a little kid. That's my absolute rush, is playing for different people every night, bringing something else to the table they've never seen.

At times those skills were really hard to do because not only was I having to contend with the camera, but I was having to learn these new skills and the ball was always kind of doing what you didn't want it to do. So it got a little bit frustrating at times but we got there.

There's nothing like playing. You can coach and you can be around the game, but there is nothing like playing. It's just so much fun.

I've ended up spending more time in front of a camera than on stage, but the stage is where I come from.