I take a few pictures a week, but the best part is waiting for my film to be developed. The suspense is exciting, and the reward is great.
Sentiment: POSITIVE
I've always thought photography was a bit of an adventure, so to come home with the film, develop it, then look at the results has more of a sense of excitement.
I'm lucky if I find one movie a year that's worth doing, and when I do find one, it usually only takes 20-30 days to shoot.
I love doing motion pictures and expect to be as busy as I want to be in them.
You have twenty-one days to shoot a whole movie and sometimes you go into that thinking 'ugh, this could potentially be really, really difficult' and it turns out to be the most incredible experience.
There was a point of frustration, where I thought I should just take a film, even though I didn't want to. I was impatient with being at home. But I hung on to the approach I've always had, which is to wait for a project that I could contribute something unique to.
I used to rarely go on film sets, as I felt it was very boring to see the same shot being done so many times. I felt I had nothing to do. I used to irritate the cameramen.
Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.
I do like the whole idea of going to a location to shoot a movie, and there is a start date and a finish date, and a lot of special things happen within those weeks.
It takes a lot of time and a lot of energy and a lot of focus and dedication to do a film, and it's just not worth it if you're going to be miserable for even a day.
I always take hundreds and hundreds of pictures. I used to work for 'National Geographic,' and they gave us a lot of film.