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At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.

I'm sure that no matter what I'm involved in, I'll always be doing comics, at least in some minor capacity.

Motion comics take the underlying physical book material and enhance or modify it slightly enough to make it unique and, we think, best-suited for a digital environment.

The great thing about having digital comics is that it is like having a comic-book shop on your digital device. It has turned comics from a destination buy to an impulse buy.

I'm supposed to be making comics, so I had to do it the best way I knew how, which is what those guys at the beginning of the Twentieth Century were doing.

I've wanted to write comics ever since I figured out it was a job.

Comic-Con is interesting because there's so much going on at once, it's literally impossible to do everything. You need clones and some sort of hoverboard so you can surf over the crowd of packed-in nerds.

One of the best things about my job is that I get to meet a lot of great children's and YA authors at events all over the country. So I figured it might be fun to interview some of them and turn the interviews into short online comics.

That's what I really wanted to do when I was 16, be in comics!

I want to point out to adults that there is a world of good material available to you now in comic form - in this medium - and learn to give it your support because the more you support it, the better the material will be as it comes out.