It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.
Sentiment: NEGATIVE
If you're drawing humans, it can be detrimental to be too naturalistic, which is like animating little corpses.
I love very much to draw animals.
As long as I can remember, I've always loved to draw. But my interest in drawing wasn't encouraged very much.
After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.
I've done a bit of teaching, but I gave it up - I felt uneasy teaching illustration to people who hadn't yet learned to draw.
I practiced drawing all the time and became very interested in it. If I was at a meeting that wasn't getting anywhere - like the one where Carl Rogers came to Caltech to discuss with us whether Caltech should develop a psychology department - I would draw the other people.
Even though I'm usually not conscious of it, I think drawing has always served a sort of therapeutic purpose in my life. There's something about the process of translating the messy chaos of real life into a clean, simple drawing that's always been comforting to me.
I loved drawing, but I just couldn't do it to the level that some of my friends could. That pulled me up unconsciously because I wanted to be like them, and I wanted to draw.
Birds are hard to draw. I read recently that Katsuhiro Otomo also says he has trouble drawing animals, and while it made me feel better, it didn't make it easier for me.
I've been taking art lessons since I was little, and I've always drawn. I think in pictures.
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