I think one of the main reason's Rick Rosenthal and Whitewater PIctures decided to 'get in bed with me' on 'Fat Kid' was because I came in with a strong business plan as well as a creative vision on how to make the film.
Sentiment: POSITIVE
I loved the idea of Travolta sitting on the kid's swing, pining away for his girlfriend.
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
I go to movies with my children and see fat kids burping, parents portrayed as total morons, and kids being mean and materialistic, and I feel it's really slim pickin's out there. There's a little dribble of a moral tacked on, but the story is not about that.
The film I think was a good film for what it was designed for. It was for kids. Unfortunately the critics slashed it before it even started but that is just the way the cookie crumbles.
I probably made a few pictures I shouldn't have done, but I have four sons and I have to pay the rent. If you have a decision to make about whether or not you can buy groceries at the market or whether or not you're going to make a bad movie, you're going to make a bad movie.
I think I could have been quite difficult to fathom as a youngster, this kid who didn't talk about himself very much.
I got completely fed up with that Hollywood blockbuster mentality. I couldn't take it seriously any longer.
To me the thing with 'Grease' was that it was the first movie that as a kid I wanted to get up and do what they were doing.
Jerry picked up the technique of visualizing the story as a movie scenario; and whenever he gave me a script, I would see it as a screenplay. That was the technique that Jerry used, and I just picked it up.
All of us have read the stories about young people in Hollywood and all the challenges they have to confront there, and I think that artistically, I really didn't understand the commercial side of the film business, so I went back to a purely artistic setting.