Most stories in 'True Blood' take place over a short amount of time. I think the entire three seasons of the show have only spanned a month and a half of those characters' lives.
Sentiment: NEGATIVE
To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.
'True Blood' is one of those shows that is so deep and good that you can't have it on in the background. It's one of those shows that you have to dedicate time to.
The fact that 'True Blood' affects people in this way is incredible to me - the fact we have to go to such great lengths to hide storylines just proves the cache our show has.
'True Blood' differs from 'Six Feet Under' in that there are way more characters and plot-lines, but fundamentally it's still about the characters and their emotions.
Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.
Every episode of 'True Blood' is like shooting a low budget feature.
I really feel like 'True Blood' is a big, giant slice of cake for the audience every week; it's offering people 60 minutes of sometimes thought-provoking entertainment. If you're gonna give an Emmy out, you should probably give it to the audience of 'True Blood.'
I think a lot of drama, nowadays, is character-based and development-based, but 'True Blood' is very plot-oriented.
In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.
I was deliciously happy filming 'True Blood.' I even kept all the scripts in my office, which I never do with any script. Although I did shred them all in one go when the series finished; it seemed like a ritual, somehow.
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