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I still feel like I have a lot to learn in the realm of sound experimentation, and I think I would like things to get noisier and weirder and more distressed and more aggressive, but I don't know if that's something that would be suitable for public consumption.

Sound comes out of a life experience.

I always just experiment with different sounds and styles until I find something that evokes the feeling I'm going for. I'm not trying to think too much about what anyone else is doing.

I'm better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created.

If you listen to nature, all the sounds are done in a confident way. I'm trying to do that.

Purity of personal life is the one indispensable condition for building up a sound education.

As you can appreciate over my lifetime I've developed a large vocabulary of sounds each requiring certain physical techniques often combined with a specific effect box.

I think that being in an environment is a much richer experience than just working on a soundstage.

Experimenting with your own life is the most fundamental medium we have.