I don't have much of a problem with interruptions. I keep a detailed record of paint and materials as a work on each painting. I can restart exactly where I left off.
Sentiment: POSITIVE
I don't really care about interruptions. I accept technology, and I don't turn things off. I've found a peace with fragmentation and a harmony with switching gears quickly to other things.
If I'm interrupted, it's just a minor inconvenience, but not a disaster, because it's easy to get back where I was: that is, the paint has not changed consistency; the light has not moved.
In a digital world, there are numerous technologies that we are attached to that create infinite interruption.
Circumstances may cause interruptions and delays, but never lose sight of your goal.
If I'm really feeling good and not having a lot of interruptions, I can do a minute of animation a day, so theoretically, I could do a film in three months without any interruptions.
When I stop working, I go out and start working again. Most people paint a picture, or whatever they do, and go home. For me, it has to be continuous.
I love the idea that the editing room is the final time you write. You should still be creatively solving problems even at that point. It's not really until you're locked that you can call it quits.
Painting's not important. The important thing is keeping busy.
I always interrupt work with other work, either in a small way or big way, so that's normal.
I destroy things every day in the act of working and often recall a picture I had considered finished in order to rework it.