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I didn't want to spend the next thirty years writing about bad things happening in the same small town - not least of all because people would begin to wonder why anyone still lives there!

I write about kids growing up, I write a lot about schools and parents, and all of my experiences with those things have been suburban experiences.

Pretty much everything I've written is a mix of excitement and fear.

If you make your living writing, and you can't write anything, it's over. It's very frightening.

Writing is inherently scary.

People are more aware now of cities and of different ways of life. I suppose the writing I do is a bit in the past, and I'm not sure it's the kind of writing I would do if I were starting now.

I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there.

What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.

I'm a city boy. I grew up in a big city, in Birmingham, and I want to write about a city. It's much richer tapestry for me than green fields. Fields and wild life make me feel ill. I don't like - I don't want to write about that stuff.

I go back to a very specific aspect of the Midwest - small towns surrounded by farmland. They make a good stage for what I like to write about, i.e., roads and houses, bridges and rivers and weather and woods, and people to whom strange or interesting things happen, causing problems they must overcome.