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Things develop in front of my camera, and then I will try to do the best out of it. I am close, but in most of the scenes, I am trying not to be seen. I think that's the trick. I think it starts in your heart, goes to the head, and the head puts it into the finger.

You can get a bit 'head in the clouds' - well, I do - and full of myself if I stick in front of the camera for too long. I forget there is hard work that needs to be done.

I have a theory that the only way you can be any good is if the camera likes you. If the camera doesn't like you, you are gone.

Practicing going over scenes and in front of the camera just to see how that feels, and then ultimately just finding a way to expose yourself to people. That's what I did.

I think one day I want to be on the other side of the camera-maybe directing.

Look and think before opening the shutter. The heart and mind are the true lens of the camera.

Fortunately, I've never been very conscious and inhibited of what I have to do. The camera's my soul mate.

I'm comfortable in front of the camera, but I can't act.

When it comes to the camera, I can do my thing. But I'm bashful.

This thing called the camera, that takes everything in equally, taught me a lot about how to see.