I just feel like, for whatever reason, female playwrights don't really ask me to do their plays. Nothing would make me happier than finding the sisterhood, but I can't make them.
Sentiment: NEGATIVE
I tend to play strong characters and people just assume that I would want to play romantic comedies, which I would love to do, but there are other women that do it so great and they maybe couldn't do what I do, play the kind of characters that I play.
I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
It's interesting to play a female character who's not ever using feminine wiles to get things done.
I'm a playwright who gets involved in movies when I'm not writing a play.
It's hard because I seek out strong female roles. I turn down a lot of stuff, not because it's not good, but because I don't want to play certain types of characters. I don't like to just play the pretty girl.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
Necessarily, I'm always involved in casting, as any playwright is, because the whole process of putting on a play is a collaborative, organic effort on the part of a bunch of people trying to think alike.
I've always wanted to play a normal woman, and I think I have been offered these parts where I play a kook because I'm not the idea of what a normal woman is.
My plays aren't stylistically the same. Just being an African-American woman playwright on Broadway is experimental.
I'm not a playwright; I'm a writer who loves theater.
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