'The Book of Air and Shadows' was born during a conference with an intellectual property lawyer on a particular afternoon in November of 2003.
Sentiment: POSITIVE
There is an enormous shadow industry of scammers and amateurs who prey on aspiring writers, who divert people from the real publishing industry into this shadow world of vanity publishing and fee-charging agents.
When 'The Shadow of the Wind' became a success I had already been a working writer, I'd been through the ups and downs, I'd seen how it worked.
People talk of me as being the inventor of the legal thriller.
I worked in publishing before I became an author, so I knew how a book gets made.
AIR was born from thinking about how rich Internet applications would play out over time and what new pieces of technology would be in demand for these to go to their next generation.
Ray Bradbury published his first story 29 years before I was born. He established himself as an international writer long before I arrived. When my mom was nine months pregnant with me, my father read Bradbury aloud to her as I listened intently, in utero. And I later became his biographer.
I was just delighted to be a legitimate, for-real published author.
I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.
Any writer, I suppose, feels that the world into which he was born is nothing less than a conspiracy against the cultivation of his talent.
I'm a writer. I never expected to be recognised on the street. I never expected to get that kind of coverage, good or bad. I never expected to sell as many books as I have.
No opposing quotes found.