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Celtic music will always be around, even if with the mainstream crowds it dies out.

Scotland is one of my favourite places to perform: it's really something special. Scottish audiences are just so enthusiastic; their approach to dance music just feels similar to my own somehow.

Certainly my only interest is not in Celtic music.

There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.

And it's very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian countries.

I like places where you can dance to crazy music, like Bedlam or Eastern Bloc in the East Village.

I cannot wait to come back to Glasgow. I know the place like the back of my hand. In fact, one of the jobs I had as a student was in Cineworld. And I was always at gigs in King Tut's, Nice 'n' Sleazy's and the Barras. I played Ultimate Frisbee down on Glasgow Green and pulled pints in O'Neill's on Queen Street.

I love the crowds at festivals because they're so chilled out.

There's some familiarity in Celtic music, even if you've never heard that piece of music before.

Edinburgh is where I started. A lot of the remixes I made were done in my room there, and it was a good place for me to make music.