Some of my earliest work was in comics. I tend to think in pictures and always like to write scenes possessing the dynamic you find in comics.
Sentiment: POSITIVE
Comics is still my first love. But I always did other kinds of writing, too, so I think of myself as a writer first.
It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing.
I was influenced by autobiographical writers like Henry Miller, and I had actually done some autobiographical prose. But I just thought that comics were like virgin territory. There was so much to be done. It excited me. I couldn't draw very well. I could write scripts and storyboard style using stick figures and balloons and captions.
I draw on a lot of cinematic influences like Ingmar Bergman and Wim Wenders, artists who let a story take its time. Comics are a visual medium, and visuals should be allowed to tell some of that story.
I've wanted to write comics ever since I figured out it was a job.
I've always loved comic books. As a kid, I used to read cowboy stories and historical comics about other worlds, unknown places that would take me out of myself and which helped to develop my imagination.
I've been writing for a long time, and I've loved comic books for a long time - forever - but I had to learn how to write in a different way to write sequential art for a graphic novel. It's been an interesting transition.
I started off doing indie comics that I wrote and drew myself. I was doing those for ten years before I started to work for DC. The first book that I wrote for DC was for another artist. I did some backups in 'Adventure Comics' years ago starring The Atom. That's the first time that I ever wrote for another artist.
It wasn't until I discovered comics that I actually began to approach drawing as a possible career.
My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.
No opposing quotes found.