A nice, easy place for freedom of speech to be eroded is comics, because comics are a natural target whenever an election comes up.
Sentiment: POSITIVE
So the Comic Book Legal Defense Fund is out there preserving and fighting for, and sometimes winning and sometimes losing, the fight for First Amendment rights in comics and, more generally, for freedom of speech.
I get frustrated by the fact that comics go on stage with some kind of agenda beyond comedy - I'm not sure it should be about that.
Free speech is a valuable commodity, which we preserve and protect, but there quite rightly is restriction on free speech in the best interest of the good order of the community and common sense.
I really do have a self-censorship problem, which isn't the way you should be if you're a cartoonist.
To me, freedom of speech and debate are necessary inputs in solving any of our nation's problems, from homelessness and economic inequality to banking, the environment, and national security. Freedom of speech is what Larry Lessig would call a 'root' issue; working on free speech is striking at a root issue.
I think the problems with comedians that are political, and there are some brilliant ones, are the ones that offer no solutions. Not that there's a moral obligation for a comic to fix things, but I like to see a comic that's upset about something and offer a solution. It can be a funny solution. I like to see the thought process.
I've skewered whites, blacks, Hispanics, Christians, Jews, Muslims, gays, straights, rednecks, addicts, the elderly, and my wife. As a standup comic, it is my job to make sure the majority of people laugh, and I believe that comedy is the last true form of free speech.
Today, comics is one of the very few forms of mass communication in which individual voices still have a chance to be heard.
Stand-up comedy and comedy in general is the ultimate form of free speech, because you get to poke holes in all the pretentious bubbles politicians and pundits and popes and pretenders try to float over our heads.
Comics, at least in periodical form, exist almost entirely free of any pretense; the critical world of art hardly touches them, and they're 100% personal.