Twitter's a lot of work! That's the first thing I would say. There's so much pressure to be funny.
Sentiment: NEGATIVE
Humorists are using Twitter to tell jokes in an interesting way. It doesn't have to be profound, and it doesn't have to be earth-shaking, but it is transformative.
I actually credit Twitter with fine-tuning some joke-writing skills. I still feel like I'm working at it.
Twitter is the place where I try to be more funny. And then I use Instagram just as my diary. I pull some jokes on there, but I think people have a better sense of humor on Twitter.
Sometimes when I try to make jokes or have a sense of humor in interviews, it doesn't go over very well. But Twitter made my life easier in this way that I didn't expect. It would have taken probably 10 times as long for people to accept my voice and my sense of humor if I didn't have Twitter.
For me, Twitter works best as a way of taking pictures of being stuck in traffic on the Brooklyn Bridge. If people really want to read really funny quips about life, parenting, and pop culture, then by all means read Michael Ian Black's tweets.
Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.
For comedians, we're all kind of tweeting our thoughts instead of spending time developing them. You can gauge how good a joke might be by how many times it gets retweeted, but it takes discipline to go back through the tweets and then develop jokes from them.
The pressure used to wear on me. I was on Twitter a couple years ago, and I couldn't handle it all that well. Don't get me wrong, because 90% of the feedback you get is fantastic.
I love Twitter. My favorite thing to do these days is to tweet things that seem very questionable as to whether I'm joking or not.
Twitter is the most amazing medium for a comedy writer. I can't get in every idea I want on the show no matter how hard I try to bully the other writers, so it's a way of me getting out other comic ideas and immediately getting feedback.