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The idea of a pseudonym had been flitting around my brain for a long time, along with its cognate, disappearance. In the 1980s, I published some poems under a pen name in a literary magazine to see what it would feel like. It was fun. It was even a little thrilling.

I use a pseudonym, because my real name is very difficult to pronounce, to remember, and to spell. And many people who have been talking about me on television have yet to pronounce it correctly.

I began using pseudonyms early in my career, when I was being paid a quarter a cent a word for my work, and when I had to write a lot to earn a living. Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me.

I chose a pseudonym, Chris Marker, pronounceable in most languages, because I was very intent on traveling.

On the advice of my U.K. publishers, I chose a sexless anonymity and published my first five books under the semi-pseudonym, S. J. Bolton. I was happy. I could hide behind a genderless, classless persona and let my creepy, psychological murder-mysteries speak for themselves.

The decision to use a pen name was nothing more than a desire to compartmentalise my life. However, I had not thought about an appropriate pseudonym, and since there's an abundance of anagrams in the novel, the idea struck me: why not use an anagram of my name? Hence, Shawn Haigins.

I did decide that you have to put your name about a bit, and so, although I would have preferred to have never done publicity or an interview or a fashion shoot for a magazine or a chat show.

I'd much rather see a world where, when you make some quirky comment on a blog or news story or you upload a video clip, instead of just a moment of fame for your pseudonym, you'll get 50 bucks. The first time that happens, you'll realise that you're a full-class citizen. You have the potential to make money from the system.

My pseudonym is 'George R. R. Martin.' That guy's just an actor.