Yes, sir, a patrol car came and took me down to a station where they were trying to develop films, but they hadn't got the facilities to develop colored film.
Sentiment: NEGATIVE
You always make a film with the hope that all types of people will want to see your work and that it doesn't matter about your color, but unfortunately it still does.
The next thing I knew, I was out of the service and making movies again. My first picture was called, GI Blues. I thought I was still in the army.
When I was a kid, which was just after Edison invented moving pictures, there were films that involved aliens coming to Earth for bad purposes.
There's one thing which I hate about color films... people who use up a lot of their despairing producer's money by working in the laboratory to bring out the dominant hues, or to make color films where there isn't any color.
I was involved in the color correction and the digital color correction. In an odd way, you end up making a film many times-the DVD, the archival record of a high-definition master, and so on.
'College Road Trip' is colorless. It's not a black film. It's not a white film.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
Ninety percent of the time, you're going to hear no. It took me seven years to make 'Once Upon a Time... When We Were Colored.' Nobody wanted to see the movie made. I got the movie made.
No, I did a film called 'Death and the Compass' as well.
Yes, sir, I was in the processing room watching them actually process the film.