I sat down to take a break from writing a book and wrote a spec feature that would end up being the movie 'Lies & Alibis' with Steve Coogan.
Sentiment: NEGATIVE
I knew Secrets and Lies was a great film, but I didn't expect it to get the attention it did because none of his other films had and I thought they were just as good.
I've always played that edge of fact and fiction. I used to be a filmmaker, and certainly in film that's a line that filmmakers cross more readily and more easily than novelists.
There was one film that I really wanted. This was a long time ago; it was a film called 'Fracture.' Ryan Gosling ended up doing it with Anthony Hopkins. It wasn't a giant box-office success, but I really enjoyed the script, and I enjoyed the character. I got pretty close and was kind of disappointed it didn't go my way.
Steve Coogan does something for me. He is so naughty, but I quite fancy him.
If you're reading IMDB, half of it's made up. You can't trust it or Wikipedia, which is just lies, lies!
I wrote three mysteries and then a contemporary spy novel that was unbelievably derivative - completely based on 'The Conversation,' the movie with Gene Hackman. Amazingly, the character in the book looks exactly like... Gene Hackman.
My first movie ever was 'Breaking Away.' I stumbled into an incredible part in a movie that was incredible to be a part of. Peter Yates, the director, became a lifelong friend. He sort of plucked me from obscurity and gave me a life.
I've made four films about the destructive nature of relationships, of secrets and lies, and I think I'm no longer interested in that subject - which is a wonderful relief.
My friend James Cameron and I made three films together - True Lies, The Terminator and Terminator 2. Of course, that was during his early, low-budget, art-house period.
I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.