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I played in rhumba bands, mickey mouse bands; all kinds of bands.

I grew up watching Mickey Mouse and going to Disney World, like, 2,000 times. Mickey Mouse is like my guru.

I was the illegitimate child of the legitimate theater. I had no training. I came from downtown rock and roll, and when I came in and auditioned for the Broadway revival of 'Hair,' I had no eyebrows - kind of a Bowie-esque glimmer kid. And it was hard representing the flower power era when we were stone cold punks.

I was not a trained actor.

I was a clubber in the Nineties. I went dancing every week.

I was a very average player and became a trainer in Germany with a special club.

I was a lifeguard, camp counselor, the president of the YMCA Leaders Corps. I also took piano lessons. I was a dancer.

I was never much of a club guy. Even when I was in New York in the early eighties, I never was once in Studio 54. It was too noisy. My version of those years mostly took place at my house.

I was in the movies. I danced, I sang, I learned to work in front of a camera. It was like being in a repertory company.

I was a founding member of the 'Dungeons and Dragons' club at my high school. I was in chorus, I was in swing choir. I was an outcast but I was an outcast among a group of outcasts.