When we came into the studio I became more and more me, making the tracks and choosing the musicians, partly because a great deal of the time during Bridge, Artie wasn't there.
Sentiment: POSITIVE
Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band; he just wanted me on acoustic guitar.
Artie is a singer, and I'm a writer and player and a singer. We didn't work together on a creative level and prepare the songs. I did that.
When I was 15, I made a solo record. It made Artie very unhappy. He looked upon it as something of a betrayal.
I realized I liked being in the studio and working on translating the ideas into recordings.
We've been appropriating in art since Duchamp, and we've been appropriating in music since the first person was banging on drums.
I think I was very lucky to have grown up with an artist's studio in the house. It was a kind of life that was possible. Yeah, it made it kind of harder because the standards were higher, but there was no pressure.
Allan had come down wanting to do some sort of crucial music and I'd been involved in so-called Art Music and wanted to explore other areas - we were approaching it in some quite tongue-in-cheek ways and we had a lot of fun - we spent more time laughing than playing music.
If I'm in the studio, I'm completely on music. I try to go to that place and that's the toughest thing for me to do. When I'm with other musicians, sometimes I go back to, almost like, childhood, because that's what I always wanted to be.
I grew up with artists.
It was a great time to be making music because everything else was changing.
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