The appeal of travel books is also the sense that you are different, an outsider, almost like the Robinson Crusoe or Christopher Columbus notion of being the first person in a new place.
Sentiment: POSITIVE
The travel book is a convenient metaphor for life, with its optimistic beginning or departure, its determined striving, and its reflective conclusion. Journeys change travellers just as a good travel book can change readers.
I think people read travel books either because they intend to take that trip, or because they would never take that trip. In a sense, as a writer you are doing the travel for the reader.
I don't like to travel. Yet all my books seem to involve a journey.
A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time; having a miserable time, even better.
Good travel books, like travel itself, open the door to new worlds. In the strongest works the author's vision becomes our own, especially if his or her subject is a distant destination.
Travel books are, by and large, boring. They lodge uncomfortably between fact, fiction and autobiography.
It's kind of amazing that people will travel because of a book. I admire that.
What draws me in is that a trip is a leap in the dark. It's like a metaphor for life. You set off from home, and in the classic travel book, you go to an unknown place. You discover a different world, and you discover yourself.
A travel book is about someone who goes somewhere, travels on the ground, sees something and spends quite a lot of time doing it, and has a hard time, and then comes back and writes about it. It's not about inventing.
In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.
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