In a drama of the highest order there is little food for censure or hatred; it teaches rather self-knowledge and self-respect.
Sentiment: NEGATIVE
We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.
Everything has its own kind of theatricality and its own drama.
I think that ultimately any effective drama or tragedy tries to put you as much as it can into the protagonist's shoes.
Drama read to oneself is never drama at its best, and is not even drama as it should be.
At the heart of drama is conflict.
The rules of drama are very much separate from the properties of life. I think that's especially true of Shakespeare.
I think there's true drama in the formation of everything that we know and are standing on the shoulders of.
Drama is action, sir, action and not confounded philosophy.
Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.
Drama is about conflict, and it's about putting obstacles in the path of people you who care about.