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Very, very rare that you do a job knowing that the audience is desperate for you to do that job. Most films you make don't get released, is the fact.

You can't do anything to a film post its release. I concentrate on working hard, giving the required inputs for the roles, having discussions with my directors and co-stars. It isn't possible to predict the fate of any film. I don't take failures to heart and successes to my head. These are part and parcel of this career.

In the world of photography, you get to share a captured moment with other people.

I've got the sort of personality that requires me to find some sort of release, and for me, it's performing.

Photography can be a volatile situation. It can be very potent.

The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibition. Later, Kodak gave me my first exhibition.

Releasing a record is only the tip of the iceberg when it comes to the promotion of the product, but you have to play the game if you are to have a chance of competing in the market place.

Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.

Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential.

You get a lot of people requesting photographs but I tend to keep myself to myself, pull my cap down.