STG and the Ramshorn Theatre are a vital part of Glasgow's rich cultural history. To abandon them now is to abandon not only our past, but our future.
Sentiment: POSITIVE
At 17 years old, STG took me under its wing and shared its resources and wisdom with me, even allowing me to take part in a show at the Edinburgh Festival. Without STG and the Ramshorn Theatre, I would not have found access to the world of drama that I later made my profession.
I bow to no one in my ambition to see Glasgow be as successful as it possibly can be.
I cannot wait to come back to Glasgow. I know the place like the back of my hand. In fact, one of the jobs I had as a student was in Cineworld. And I was always at gigs in King Tut's, Nice 'n' Sleazy's and the Barras. I played Ultimate Frisbee down on Glasgow Green and pulled pints in O'Neill's on Queen Street.
Glasgow has truly become my home away from home.
It's been three years since I last performed here so I'm dying to tear the roof off Wembley Arena with some old school joints and brand new bangers. When I'm done, you're gonna remember it for a long time to come.
If these theatres didn't exist, the tradition of British theatre would cease to exist.
When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.
Glasgow is a great city.
I didn't want to leave Newcastle, but that's football.
People always say that Glasgow has had umpteen social problems but keeps finding ways of getting over its difficulties and transforming itself. Maybe, belonging to the city I'm able to renew myself too, and keep extending out into some new area.
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