By increasing the size of the keyhole, today's playwrights are in danger of doing away with the door.
Sentiment: NEGATIVE
Keyholes are the occasions of more sin and wickedness, than all other holes in this world put together.
What I find is that it's the middle-aged authors who have lived a life who have the most important, interesting voices. They just need someone to give them the key to unlock the door.
If you can actually get someone to sit on the edge of their seat and feel nervous if there's a knock at the door, then you've done something pretty terrific as a writer.
It's always a thrill to walk through a Broadway stage door.
Big doors swing on little hinges.
I think that if you keep banging at the door all you need is a little foothold, a little tiny foothold, and then the rest will take care of itself.
Theatre is a series of insurmountable obstacles on the road to imminent disaster.
I have a thing for doors. I always think of them as a threshold to something new.
You never know what doors are going to open up and why they are going to open up. You've got to be ready to walk through them.
The more doors there are for you to open, the better the play.