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It even sounds stupid to hear myself say the first costume designer I worked with was Catherine Martin, and she won an Oscar for it, but that was just my very lucky draw of roll of the dice.

I had a lot of fun with my costume designer.

I have worked with some of the most amazing costume designers in the world.

My first wife was a theater person.

I'm an actor, so I like costumes.

I'm a director, but I gotta have the hair, the makeup and the heels. My mother would be appalled if I didn't dress up.

My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.

In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.