You write a hit the same way you write a flop.
Sentiment: NEGATIVE
You learn more from the flops than from the hits.
I had flops, I had success.
I'm really good at writing 'almost hits'.
If you can't handle the responsibility of a hit single, don't write one.
It is not about writing those hits again. I am sure I could write them, but it is about the sensibilities.
I write the way I write.
Hits and flops are overrated.
If you have a flop movie, so what? And if you have a hit movie, it's 'so what,' too - it's on to the next movie.
I always say that you should remake flops, not hits.
No one tells you what to do if you completely flop at the beginning of a performance.