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I like to not be too involved in the beginning and during the process so as to keep this fresh look and be able to give constructive recommendation on the final production.

As a producer, I think one of the most important decisions you make is not necessarily the material you are working on but the production apparatus that you choose to develop the project with, and that determines what funding you go to, it determines many factors.

I think - more than anything, I think I'd really like to start producing and be in charge of the stuff that I want to see in the world and the stuff that interests me.

I know that producing will ultimately mean more longevity in the business, so when I'm tired of everything else and want to be behind the cameras, I know that I can produce.

I really, really want to produce. That's the top of my to-do list.

The general proposition is that the resources that will be utilized are the ones that contribute most to the overall efficiency of the production system. The third parameter has to do with our commercial world, our search for profits.

Pre-production and post-production is something that I've never been exposed to. I was pleasantly surprised that you could accomplish a lot during pre-production.

If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons.

Usually I love preparing. It's really the time I prefer, because it's a time of reflection and of possibility of growth - to let it cook inside.