Even the pallid daughters of Albion forget for a moment their Pre-Raphaelite poses by burying themselves in the sonorous sortilege of the Antilles.
Sentiment: NEGATIVE
The sigh of History rises over ruins, not over landscapes, and in the Antilles there are few ruins to sigh over, apart from the ruins of sugar estates and abandoned forts.
The Pre-Raphaelites, while very bothered by what the establishment thought of them, also utterly rebelled against it. In everything - social, sexual, emotional - they were out on a limb, pushing the boundaries.
Every article on these islands has an almost personal character, which gives this simple life, where all art is unknown, something of the artistic beauty of medieval life.
For the saddest epitaph which can be carved in memory of a vanished freedom is that it was lost because its possessors failed to stretch forth a saving hand while there was still time.
The near stillness recalls what is forgotten, extinct angels.
Is there something we have forgotten? Some precious thing we have lost, wandering in strange lands?
Those little nimble musicians of the air, that warble forth their curious ditties, with which nature hath furnished them to the shame of art.
They make glorious shipwreck who are lost in seeking worlds.
I am certain that the Lord, who notes the fall of a sparrow, looks with compassion upon those who have been called upon to part, even temporarily, from their precious children.
What are Raphael's Madonnas but the shadow of a mother's love, fixed in permanent outline forever?