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I made a movie where I played a girl that just got out of prison and we shot it very very quickly but very intensely-that took me a long time to get over.

In prison, you get the chance to see who really loves you.

When I was in New York, the whole vibe was really just not matching with me. I was kind of super depressed in New York. It just had this vibe of 'Get out,' you know? I would try to get out, and we'd look back and just see the city and feel like, 'Oh, I have to go back to prison again.'

There'll be moments when I'm out in the prison yard, chatting with the cast and the crew, getting ready to shoot a scene. And then I'll remember if I were actually an inmate, I'd only be out there an hour. The other 23 hours of the day, I'd be in my cell. It's kind of a downer.

I was separated from my wife at the time. A lot of people think I wrote it about prison.

It's a morality film, and it poses the question 'What would you do?' I took it very seriously, just as the director did in terms of atmosphere and lighting, and I was just trying to help that vision along.

Whenever people ask me what the story is for my next film, I won't tell and people feel it's because I'm being secretive or something, but it's actually because I'm ashamed to sum up a film in three sentences.

Not coming from a film background, be it a teeny-weeny role or a big role, I have done it with a lot of dignity and fought my way through. But the only thing that kept me going is that I am the sort of person who doesn't take no for an answer. If someone rejects me, I will be out to prove that person wrong in my own way.

People say, 'Well, whose career do you follow? Where do you see your career going? What movie do you want to do next?' And I can't tell you what type of movie I would go and do next. I would have to read the script and feel for a character. And if I feel in my gut for a character, I know that that's somebody I have to play.