There are some people who are happy to be African writers. They are pan-Africanists. I'm not a pan-Africanist. I think African countries have a lot in common. But we are also very different.
Sentiment: POSITIVE
African narratives in the West, they proliferate. I really don't care anymore. I'm more interested in the stories we tell about ourselves - how, as a writer, I find that African writers have always been the curators of our humanity on this continent.
Writing about Africa by Africans has been part of my literary apprenticeship, standing alongside works by authors such as Joseph Conrad, Joyce Cary and Graham Greene as influences.
I get irritated by the term 'African writer', because it doesn't mean anything to me.
What we are trying to do now, this new generation of African writers, is to write about what it is to be a human being living in a particular African country. These are stories that resonate with anyone, anywhere.
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
I thought that, post-apartheid, there would be absolutely no interest in South Africa. That has been both true and untrue. The major writers like Gordimer and Coetzee have produced major books. But some of the more minor writers have drifted away.
It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.
I love writing for other actors, women of African descent and people who are generally underrepresented.
There's a rising tide of concern among activists, economists, and artists about Africa. Theres a temptation to think of it as a monolith as opposed to all these different countries with different problems.
There are storytelling traditions that come from Africa that are unique from anywhere else.
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