I suppose most crime writing is urban. There's not a lot... certainly not in Australia, people don't often set books in the countryside.
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I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
I have been reading crime books ever since I was a child, but I had never tried to write one.
In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
What crime writers are doing connects deeper into a cultural hunger. Crime is important. When you open up a book that has a body that's dead, that matters. It matters more than a certain level of suburban angst; it really does.
All novels are about crime. You'd be hard pressed to find any novel that does not have an element of crime. I don't see myself as a crime novelist, but there are crimes in my books. That's the nature of storytelling, if you want to reflect the real world.
Writing a book is not a crime.
Crime is the biggest genre in libraries and in bookshops, and it is hugely varied.
Scottish writers are particularly successful in the crime genre.
Good writers know that crime is an entre into telling a greater story about character. Good crime writing holds up a mirror to the readers and reflects in a darker light the world in which they live.
When I'm writing, I don't read much crime at all - you don't want to get distracted by other people's plots.
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