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I have a fun clause in my contract. If I'm not having fun, I can leave.

Then to have your baby playing at the school you played at and having him play well is a special treat.

I'm used to doing my jobs like a couple of photo shoots a month and a bit of presenting here and there, but the majority of my days are with the baby.

You cannot contract to sell a baby. If they legalize this contract they may soon start bringing poor women in from other countries just to be breeders.

I love entertaining people, I love playing music, and I love rocking like an animal. But at a certain point, you're playing gig after gig after gig, in town after town after town, and you're lying down, staring at another hotel-room ceiling, and it's like, 'I want to be home. I'm a dad. I've got kids.'

There's people making babies to my music. That's nice.

My job is not babysitting people; my job is focusing on making the best band I possibly can.

A baby's existence for the first three months is a one-way street. One person is doing all the work and the other is crying, sleeping and pooping. So the first moment when you're actually able to do something and they acknowledge your presence, that's a big deal. A very big deal.

At one point in my career, while still hosting 'The Arsenio Hall Show,' I was told by my doctor that it might not be physically possible for me to have children.

I remember leaving the hospital - thinking, 'Wait, are they going to let me just walk off with him? I don't know beans about babies! I don't have a license to do this.' We're just amateurs.