One of the things I learned in animation is that you never, ever want to start doing a voice that you can't sustain for four straight hours.
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I guess the biggest challenge to doing any kind of animation voice work is that you only have your voice to tell the story.
You don't have a face to work with, so your voice has to do all the work until you see the animation. So, a lot of it I had to pull back because it was too big.
I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?
It's just different discipline, just doing the voice over. I guess I've done about 5 or 6 audio books in the past and I do the animated voice for a show called Fatherhood on Nickelodeon.
Animation is a fascinating area from an acting point of view because it's not really like anything else because you are only providing a portion of the performance. That's very inspiring and it forces you to do things in a different way - to tell stories through your voice.
You know when you bring your voice to different voiceover things like video games and cartoons, and I do tons of stuff like that in voiceovers and whatnot, it's very fun and freeing.
But I've had to act and not depend on my voice so much.
I've only used my own voice about four times on film.
I always just want to do non-typical voices for some reason.
It took me quite a long time to develop a voice, and now that I have it, I am not going to be silent.
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