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With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting.

I love going to theatres and seeing honest little indie films I know nothing about... being surprised by a beautiful film I had no expectations about but just got lost in. I'd like to do more well-written indies. I don't know exactly what my dream role will be yet, but it's somewhere within that realm.

'Last Man Standing' has been an amazing treat because it is the best day job you could have because we laugh every day. It lightened me up a bit because I tend to go to some dark places.

I'm drawn to a good story, really, as I hope most people are. For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.

I did seven indies because the independent market used to be a lot better before all the stars were doing independents. As a beginning actor, that's where you started.

I saw David Lynch's 'The Elephant Man' when I was 15. I was completely bowled over. I found it so beautiful, strange and mesmerizing that I went back to the cinema every night for a week to see it.

'Last Man Standing' is overall a lot of comedy. And I love doing that.

I've been on 'Mastermind' - I tied for first place and then lost on the number of passes. My subject was the 'His Dark Materials' trilogy by Philip Pullman. If I did it again, I'd choose Shakespearian tragedies.

In indies, life is very dark and realistic, and in mainstream films, the edges are all rounded off and very sentimentalized.

Of all the things I've done, the first 'Strongman' story was one of the easiest things to write. It was almost fully formed from the get-go. It's almost a 'Dark Knight Returns' riff, except you have a battle-worn Mexican wrestler instead of Batman.