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When I was filming, I imagined that Legolas was a meditative character who was very thoughtful and had a certain amount of depth to him. I started working on trying to find this focus that Legolas has, which wasn't really like me.

Legolas is that kind of action elf who pouts a bit, stares off to the distance, and has a couple hero moments, killing with a lethal bow and arrow along the way.

Legolas in 'Lord Of The Rings' was sent as a bridge from his people into the world of dwarves and humans and wizards and everything else.

There's more depth to Lionel. What I am finding so interesting about playing him is there's all these different layers. I prefer playing Lionel because he's a human being.

I love Panthro, so to play him, yeah I'm very very happy.

I used to love watching him as a player, so it is a joy to play alongside him. I might take the mickey out of him, but deep down I have so much admiration for him.

I love dressing Mason more than dressing myself. It's so much fun picking out his clothes and making outfits and giving him style.

I'm naturally going to react to that and he'll bring out elements in my musical character that were lying dormant, because I'm relating what he's playing.

Bjorn was a different breed, I threw my best material at him, but he would never smile, but that added to the charm when he played me and Mac. We were going nuts and losing our mind and he was sitting back like he was on a Sunday stroll.

I play beside one of the unsung heroes in David Vaughan. It's a privilege to play with him: he is breathtaking at times.