The girls in 'Downton Abbey' do what they do so well, which is make it so natural despite the fact that you're living within these constraints and taking so much from the research aspect of it.
Sentiment: POSITIVE
'Downton Abbey' has become this huge thing, and I really enjoy the success of it, but I sometimes find myself on the outside looking in, which is sort of a healthy way to look at it so you don't get too caught up in it.
I think the reason why people love 'Downton Abbey' is because all the characters are given the same weight. Some are nice, some are not, but it has nothing to do with class or oppressors versus the oppressed.
The women in 'Downton Abbey' don't compare to the women in 'Upstairs Downstairs.' Ours are stunning. We've got Laura Haddock, Keeley Hawes, Claire Foy... beautiful women.
'Downton Abbey' is just one cliche after another, and it is a really, really poor piece of drama. But that's only me talking. That's just my take on it.
Working on 'Downton Abbey' is amazing, but there's an ensemble cast of between 18 and 21 actors. With 'Love Life,' there are two couples and a few other key characters. As a smaller unit, you've got to take more responsibility - at the same time, you can have more ownership of the direction it's going in.
It's stupid to say that there's any comfort to be had in 'knowing your place,' but there is a sense of reassuring escapism to something like 'Downton Abbey.' There's a perceived romance and elegance that is wonderful to lose yourself in.
The girls in my books are out solving their own problems.
I know that everyone wants to know about 'Downton Abbey,' but the truth is that it was only a few days out of my life. Still, you play a distinctive part on a hit series, and everyone suddenly knows who you are. Isn't it crazy how this business works?
All the characters on 'Girls' are growing and changing, which is how real people behave, especially when we're young, trying to figure out who we are, doing things that are the polar opposite of our characteristics.
Girls like Diana Spencer, armed with nothing more than a guinea-pig-rearing certificate, proud to say in that old Sloane way that she was 'as thick as two short planks,' became the exception as girls from Benenden and Downe House started to fast-track towards the City and law, consultancy, media and the arts.
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