Each performance and each film is what it is. It's right and belongs within that moment. You look at it and try to make it fit your particular part of your character and your particular film.
Sentiment: POSITIVE
The audience has to understand that if the film is going to have any meaning for them. If they are going to empathize with the characters, they have to visualize the process of concentration involved in making every move.
Whenever I think about movies, I always look at that art process as having the best of a lot of worlds. Because if you watch a great film, you have a musical element to it, not just on the scoring, but in the way that the shots are edited - that has music and rhythm and time.
I'm extremely particular how my look should be in a film.
Each film I make changes me in some way. When I start the picture I'm one person and by the time I finish I'm another.
When you're making a film all by yourself, that requires you to have quite a bit of a point of view in order for anything to get done.
Your relationship to a film, and to cinema, is very much determined by yourself, so what is relevant is you.
In a play, you only get one chance, and you have to get it perfect. In a film, you can change and fix it whatever way you want, so really, there's a pretty big difference.
I haven't done many films. But with every movie, I try to showcase a different side of me through a character.
You may not quite understand the cinematic tricks that go behind the making of a film, but as long as you feel it, I think that's the important thing.
You act in a movie, and at the end of the day, the director and editor decide what your performance is.