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That's kind of the theme of Own the Night. It's about those nights that are so memorable you could live them forever.

I've got a good memory. Sometimes it's a curse. I remember what the light was like in the room the first time I heard Van Morrison's 'Moondance.'

I have to say that filming 'The Night Manager' was not just amazing but also very daunting at first. I used to describe myself as the token plebeian surrounded by all your national treasures. All that glittering talent in one place; I knew Hugh from Fry and Laurie videos that my grandpa used to watch, and Tom Hollander's 'Rev' is hilarious.

It took me a while to get back to 'The Queen of the Night.' I was angry with it as an idea because I felt like it had sort of ruined my life by taking so much attention away from 'Edinburgh.' So it essentially languished in a drawer until 2004, when I pulled it out, dusted it off, and thought, 'Oh, I actually really like this idea.'

I will remember the night I won the New Comedy Awards, as I was young and unformed, so that sticks in the mind. I've also done a fantastic gig at the Royal Albert Hall, which was amazing. Appearing in the Christopher Guest film was also a real highlight, even if I was only in it for a couple of minutes.

I'm a big fan of British cinema; I think we make some unbelievably brilliant films, but they can quite often have a dark feel.

Fancy your having no sunshine in London yesterday! Here it was glorious, like full summer, and I sat up with the window wide open, listening to the discourse of two amorous thrushes.

It's funny to see the finished product of a movie, stuff that's so beautiful, and to remember the particulars.

The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.

A British pressing with a compilation of the best stuff really, I mean actually not only that but, these were all kind of semi hits for the people on it in America.