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Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done.

I wanted to write about women and their work, and about valuing the work we, as women, choose to do. Too many women I knew disparaged their work. Many working mothers thought they ought to be home with their children instead, so they carried around too much guilt to enjoy much job satisfaction.

Perhaps there is no greater issue facing contemporary women than the choices they must make about balancing home and work.

I rejected the traditional notion of 'women's work,' but I never thought of my early ambitions in a feminist way, exactly. Primarily I rebelled against apathy and limited education. I was rejecting a whole way of life that I thought trapped everyone.

I've always tried to be conscious of how I represent women in my work. They don't have to be good or strong women, but they have to be complex.

I always find it amazing that people get mad because they can't figure out my gender. Even though my only job here is to create art, I think being a genderless figure... it shakes people. And when that happens, it makes me feel like I'm doing my job.

The imaginative leap for me of writing for women is no more difficult than the one of writing for men. I've always wanted to have women well represented in the work that I've done because I've always been around them and around the way they look at the world.

I always think of myself as a working girl.