I'm not a caterer. I just have to stay with my creative convictions. At some point, you have to just get past the special-interest groups and do what you're there to do, which is make a movie.
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I don't really cook. There are caterers, and my husband cooks.
My biggest bit of advice would be to spend some time actually helping caterers or Chefs, even if it has to be for free or as an intern of culinary externship. It helps immerse yourself in what you potentially want to do.
I told the caterer I'd work for nothing if he'd teach me about catering. I lasted one week full-time. It was exhausting.
It's really about making opportunities for yourself and connecting with people on a more-than-normal level. That opens doors. You never know if the caterer's brother is someone. You don't know who someone is having dinner with that night. So being a nice person and touching people creates opportunity.
I love to cook. I'd have a dinner party, and someone would be like, 'Can you do this at my house?' So my catering partner and I - we were both struggling actresses at the time - thought, instead of getting a waitressing job, let's do what we love. We always said if things pick up, our acting careers come first.
Catering is extremely demanding financially and physically. It's a business.
I just do whatever I do, and put it out there without tryin' to cater to anybody. If you like it, you like it.
The big budget films have money to do things that are not necessarily essential but sure are comforting. The catering is usually much better. And you have way more of anything you could possibly need. You definitely get a trailer. My shirt and suit for 'Million Dollar Baby' were tailor made.
Gastronomy is my hobby. I'm simply the casting director. Once I've brought all the right people together, it is they who must work together to tell a story.
I make two movies a year to take care of the butcher and the baker and the school fees. Then I try to write, but it's not that easy. Acting is what's easy.
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