The subject must be thought of in terms of the 20th century, of houses he lives in and places he works, in terms of the kind of light the windows in these places let through and by which we see him every day.
Sentiment: POSITIVE
The biographer who writes the life of his subject's self-concept passes through a fade into the inner house of life.
There comes a time in a man's life when to get where he has to go - if there are no doors or windows he walks through a wall.
The building art is man's spatial dialogue with his environment and demonstrates how he asserts himself therein and how he masters it.
Life consists in what a man is thinking of all day.
The author, in his work, must be like God in the Universe, present everywhere and visible nowhere.
A man's prime interest in life must be his work.
Man lives by imagination.
The man who has no inner-life is a slave to his surroundings.
It is no use describing a house; the reader will fix the scene in some spot he knows himself.
A house must be bedded in the landscape. They both have to work together. In and out, every view from a window has to be sensational. Every view into the house must be the same to ensure continuity.