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I have a big responsibility to my licenses. All my licenses draw from and take ideas from the runway.

More and more what we're licensing, we're licensing on a global basis - even though the studios aren't orchestrated to sell that way yet, my bet is that they will.

I do read licenses, and they aggravate me, but a computer isn't much good without software. When I need a product, I hold my nose and click 'agree.'

Saying that you are advocating on behalf of small business does not grant a license to spend at will on more and more programs without congressional input, oversight, or statutory authority.

I believe you should have a world where you've got to license something at a fair price.

I cannot understand for the life of me why DOE is going forward with this licensing procedure when we do not know whether or not the scientific documentation upon which you are basing your decisions is, in fact, flawed.

I don't believe that an animation studio should be an executive-driven studio.

I'm a transactional lawyer; I negotiate all types of things, but with a particular focus in software licenses.

It's no secret that my process is a little bit loose and can be a little bit infuriating to a studio if they don't know what they're signing up for.

Typically, if you buy a studio with a library, their library is pretty well licensed out many years in advance, so you are not really gaining access to the programming in that way.