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In Paris, I met a young American person who immediately became the primary inspiration which awakened my vision and the leading influence that had directed my forces. Throughout my career as an artist, I refer to this person by the word 'Woman.'

Growing up with Jennifer Lopez and Salma Hayek - people who were always trying to do something else - I wanted to follow in their footsteps. They gave people a different perspective of how women were supposed to look like and be.

I was really inspired by these larger-than-life female artists like Lee Bontecou and Eva Hesse and Yvonne Rainier and the incredible Lynda Benglis. There were many women who were really driven and became successful, who were part of essential paradigm shifts, despite the fact that the art world was still dominated by men.

Stella McCartney, not only is she a designer, she is a mother of four, and she lives for practicality. She understands what a woman needs to wear to work and what a woman needs to wear when it's time to go out and put on the Ritz!

There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.

I'm quite low-key - Isabel Marant is one of my favourite designers.

What I've been conscious of, from the beginning is that I can't be Jil Sander.

People get this very romantic vision of a fashion designer who in one night makes 25 sketches and in the morning throws them on the table and there are a lot of women in white aprons with the pins on the lapel and they start to grab the sketches and... It's not like that.

I consider myself lucky that Sheila Johnson, the cofounder of Black Entertainment Television, didn't choose to rest on her very impressive business laurels. Her luscious 100 percent modal scarves, printed with photos she takes all over the world, are gorgeous. Wearing one is like being wrapped in a hug.