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Death showed up in my life very early on, so I'm aware of it. If you look at most of the things I write there's a sort of contemplation of mortality - although 'True Blood' doesn't fall into that. Even though there's such a ridiculously high body count!

To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.

What 'True Blood' does really well is that it balances on the line between good and evil - you blur the distinction between the two.

It will have blood, they say; blood will have blood.

'True Blood' allows you to be big, so it's almost like you're on stage, and I'm comfortable with that.

People ask me what the appeal of 'True Blood' is and I think there are so many answers to that question, but I think that when there is so much excitement for what you do there is no way that that doesn't become palpable and comes shooting out like bullets.

I think it's fun to play with worlds that you can add a lot of your own imagination to. With 'True Blood,' you're not limited by anything, there are just leaps and bounds of the imagination you can take with these characters.

Co-writing the 'True Blood' comic is a dream come true both as a performer on the show and as longtime comic fan. It's a real privilege to build on the rapidly growing 'True Blood' mythology.

'True Blood' is one of those shows that is so deep and good that you can't have it on in the background. It's one of those shows that you have to dedicate time to.

A thing is not necessarily true because a man dies for it.