Well, whether it's on film or on TV, you don't want to throw too many curves at your audio and video guys.
Sentiment: NEGATIVE
Very often when I go in to meet for movies or pilots, I'm put on videotape. I hate the notion that that tape is going to sit on a shelf and never get better.
When I watch a movie, I don't want to see the extra bits.
When you're working on film music, you're only working on 20, 30-minute sections at a time.
When you make a movie, you know you're making a long-form thing, so the visuals are different than for a video where it has to be more obvious or in your face, I think, a little bit.
I think you get less takes on TV than in movies.
As the lead of a movie, you really set the tone off-camera as well, and that's a really big responsibility.
You have to realize I like doing big movies that appear on a big screen. So the visuals and the audio have to be of a certain quality before I start to get excited about the thing.
A music video is so different to doing a movie.
I'm not for or against video - or any medium or style, for that matter.
You have to contort your body in a certain way to hit a low note. When you're on film, you can't. So you do, in a sense, get to hide behind your voice, which is nice.