Honestly, I have had to live like a high priestess in this show. It is a very, very lonely life. When you work the way I work - that means hard - there's no time for play.
Sentiment: POSITIVE
I never thought about being on a series before. It seemed like such a big commitment. But I love going to work every day. This is not about ego, it's about work, and that's refreshing in this town.
I try to inhabit each of the characters as fully as I can, however short-lived they are. But most of my show happens offstage.
There've been many a season where I couldn't get work, and I think that you learn character development and you learn how to really want what you do in life when you can't really do it.
Every time you have to come up with a new body of work for a new show, you're aware that people are just ready to rip you apart, they're just waiting for you to fall or make the slightest trip up.
I think you can find yourself on one of these shows for a long period of time and think that all you'll ever be able to do is that character. Certainly people think of you that way.
I have to pick myself up every day and say, 'The show must go on,' meaning life as I know it must go on, whatever the obstacle is, I know I can handle it, and I can get through it.
Once you have a central character who announces in the first five minutes of the show that he feels whooped by life and that he's had enough, I'm in. I'm hooked.
It is hard work to give life to new characters every single day. It is not as if I am God. I am just a tired, middle-aged woman trying to keep going.
My first series regular was on a TV show called 'Starved,' which was so many years ago, and I was the only guy they brought in. So I go in, I read, it goes well. The next day I hear I got the job, and I rejoiced.
I've never worked for a show or was on a show where I didn't have a lot of control creatively, but then again, I haven't worked on a lot of shows.
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