I never really think so much about commercial success; I usually just think about records that move me, and 'Baby Got Back' was one that moved me.
Sentiment: POSITIVE
I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.
There are two kinds of success. One is musical or artistic and the other is commercial.
It's pretty hard to make out what's going to be a commercial success and what's not.
I was never writing for commercial success. It's nice that it has come, but it is not important.
Commercial music, for the most part, is popular music and you always have to keep that in mind.
All my success seems to come straight away, and it's not until later that I get to appreciate it. Like with 'Popstars,' I won the competition, and now I look back and go, 'God, I was lucky to have number-one singles and albums.'
We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough.
When you're starting out, every line in a show or a commercial is like a huge success.
When I did have a little bit of commercial success, it really didn't suit my temperament at all. I'm a terrible public person.
The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me.
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